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WINTER NIGHT

FRI, JAN 27 / 7:30 pm
Expanded Cinema performances by
Irene Bindi & Aston Coles and Doreen Girard & Julia Ryckman

* Please note that this program will be at The Black Lodge (upstairs from Cinematheque)

At the geographic centre of the continent, Winnipeg is a thoroughfare and point of convergence of many kinds: railway paths, bird migratory routes, and as the supernatural centre of the land for many aboriginal peoples and spiritualists. Hailing from this, the coldest English-speaking city in the world, Doreen Girard and Irene Bindi developed Winter Night. Their similar processes develop through collections of found technology, materials, and stories. Both rely heavily on the Manitoba winter for assistance in their creations. Join four Winnipeg artists for a program of live music and moving images inspired by Manitoba’s cold winters, grim histories, and supernatural stories.

Sontainen, dir. Doreen Girard and Julia Ryckman, 2010, Canada, 15 min.
Animation through a hand-designed animation reel and manipulated slide projector, using focus pulls to “flip” through the images. A portrayal of a Finn named Tom Sukanen who, during the Great Depression in Saskatchewan, built a ship called the Sontainen in order to return to his homeland after losing his family. Instead, Sukanen’s efforts only landed him in a mental institution. Winnipeg’s musical femme fatale Slattern will be performing a live score consisting of music composed specifically for this performance.

Baphomet, dir. Doreen Girard, 2010, Canada, 5 min.
Through manipulation of a Kodak slide projector, hidden images are revealed.

Hagioscope, dir. Doreen Girard and Julia Ryckman, 2010, Canada, 15 min.
A mythical history of the medieval anchoress, told live, through the use of a hand built magic lantern. Live musical performance by Julia Ryckman.

Incubation, dir. Doreen Girard, 2010, Canada, 9 min.
A series of desolate dreamscapes projected and animated through a repurposed slide projector. Music by Thergothon.

Have I Done No Hurt, dir. Doreen Girard, 2008, Canada, 10 min.
A bible story picture book becomes an ecstatic apparition in the form of slides and tape loops.

Kick Shutter Furs, dir. Irene Bindi, 2010, Canada, 12 min
Outtakes from a winter coat commercial are edited into a hand-painted nightmare. Kick Shutter utilizes a secondary shutter effect by controlling power to the projector through Bindi’s kick pedal, creating flicker. Live sound by Aston Coles & Irene Bindi.

Celestinorosapalido, dir. Irene Bindi, 2010, Canada, 11 min
In this live 16mm performance the kick pedal is again used as an additional shutter controlling speed and flicker. The film utilizes a combination of colour footage with timed periods of blackness from the 2nd shutter to intensify a progression of colours and movement. Live sound by Irene Bindi and Aston Coles.

Winter Night has been generously sponsored by MAWA

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Fri 18

Optical Printer One on One Workshop Sessions

Appointment Based One on One Session
Fri 18

Restless River

*Skype Interview with director Marie-Helene Cousineau and
actress Malaya Qaunirq Chapman to follow the Sunday 2 pm screening

Sat, Oct 12 / 7 pm
*Sun, Oct 13 / 2 pm
Thu, Oct 17 / 9 pm
Fri, Oct 18 / 7 pm
Sat, Oct 19 / 9:30 pm
Fri 18

Aurora Gorealis: Happy Birthday to Me

Wed, Oct 9 / 7 pm
Fri, Oct 18 / 9 pm
Sat 19

Buddy

Sat, Oct 19 / 3 pm & 5 pm
Sun, Oct 20 / 5 pm
Fri, Oct 25 / 7 pm
Sat & Sun, Oct 26 & 27 / 5 pm
Wed & Thu, Oct 30 & 31 / 7 pm
Sat 19

Cream of the Crap VII: Rock ‘n’ Roll Nightmare

Sat, Oct 19 / 6 pm (VHS Swap), 7 pm (Screening)
Black Lodge Studio (Suite 304, Artspace Building)
Admission by Donation

ABOUT US

The Winnipeg Film Group is an artist-run education, production, exhibition and distribution centre committed to promoting the art of cinema.
our location

We’re located in the heart of Winnipeg's historic Exchange District in the Artspace building. We are across the street from Old Market Square at the corner of Arthur Street and Bannatyne - one block west of Main.

The Winnipeg Film Group is located on Treaty 1 Territory and on the ancestral lands of the Anishinaabeg, Cree, Oji-Cree, Dakota and Dene Peoples and in the homeland of the Métis Nation. We offer our respect and gratitude to the traditional caretakers of this land.

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