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VANCOUVER EXPERIMENTAL CINEMA 1967-1981

THU, OCT 24 / 8 pm
Introduced by Alex MacKenzie

Steel Mushrooms, dir.Gary Lee Nova, 1967, Canada, 7:30 min 
A psychedelic hallmark of early Vancouver experimental cinema. The collage of shapes and textures shot in the back alleys of the downtown east side is set against the found footage of nuclear annihilation.

Lumiere’s Train (Arriving at the Station), dir. Al Razutis, 1979, Canada, 9 min 
Bold, hypnotic and visually stunning, the film celebrates the birth of cinema, the rebirth of cinema and the rebirth of cinema through the avant garde.

A Day Much like the Others, dir. Sturla Gunnarson, 1977, Canada, 4 min 
Represents artistic longing set against the inability to find one’s way. A male figure lies in the void. He rises cautiously to action, only to encounter darkness, confusion and directions that lead back to his own powerlessness.

Seeing In The Raindir. Chris Gallagher, 1981, Canada, 10 min 
This electrifying work deconstructs a point-of-view from a city bus moving down Vancouver’s Granville Street. The windshield wiper is the only constant as the image moves through the impermanence of time.

The Central Characterdir. Patricia Gruben, 1977, Canada, 15 min
An amorphous protagonist, a housewife perhaps, disintegrates as her persona moves from the emphatically organized environment of the kitchen to the organic profusion of the garden.

Canadian Pacific 1dir. David Rimmer, 1974, Canada, 11 min
A view out of a dingy harbour and the north shore mountains cycles through the seasons. The film is meditative and strangely emotional as the landscape plays hide and seek with our perception.

Backbonedir. Tom Braidwood, 1972, Canada, 11 min
Found footage of a soldier yelling “fire” and a cannon discharging loop. The image becomes increasingly unsettling as the rhythmic soundtrack slips synch and turns our perceptions inside out.

Eclipsedir. Peter Lipskis, 1979, Canada, 3:30 min
In a motel room a TV plays the live broadcast of an eclipse. In the background out the window the street scene is dingy and overcast. Part landscape film, part odd documentary, and all cheeky, this film takes an error and makes a great moment out of it.

Far From Quebec (Loin du Quebec)dir. Kirk Tougas, 1971, Canada, 15 min 
Abandoned whaling boats in a barren, forbidding landscape. The absolute stillness evokes a deathlike atmosphere of restless longing.

In Black and Whitedir. Michael McGarry, 1979, Canada, 10 min
The unsung and significant spark of gay cinema charges off the screen exploring themes of preference, eroticism, sexual politics and harassment. 

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Sun 21

Optical Printer One on One Workshop Sessions

Appointment Based One on One Session
Sun 21

Shoot Some 16mm Film

Camera Orientation Day: Sat. June 1, 2019 – 10 AM – 2 PM (WFG Black Lodge Studio)

Shooting Days: June 3 – July 13, 2019

Processing Day: Sat. July 13 & Sun. July 14 – 10 AM – 2 PM (WFG Media Lab and Platform Dark Room)

Optical Printer Class: Sat. July 20 | 10am - 2pm

Editing: July – August

Screening Date: TBD
Sun 21

2019 WFG Summer Teen Filmmaking Camp

Session 1: Mon July 8 to Fri July 19 (10 AM to 3 PM) | WFG Media Lab & WFG Black Lodge

Session 2: Mon Aug 12 to Fri Aug 23 (10 AM to 3 PM) | WFG Media Lab & WFG Black Lodge
Fri 26
Tue 30

Restoration Tuesdays: Hard Ticket to Hawaii

Tue, July 2 / 7 pm *
Tue, July 9 / 7 pm & 9pm
Tue, July 30 / 7 pm & 9pm

ABOUT US

The Winnipeg Film Group is an artist-run education, production, exhibition and distribution centre committed to promoting the art of cinema.
our location

We’re located in the heart of Winnipeg's historic Exchange District in the Artspace building. We are across the street from Old Market Square at the corner of Arthur Street and Bannatyne - one block west of Main.

The Winnipeg Film Group is located on Treaty 1 Territory and on the ancestral lands of the Anishinaabeg, Cree, Oji-Cree, Dakota and Dene Peoples and in the homeland of the Métis Nation. We offer our respect and gratitude to the traditional caretakers of this land.

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